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where music streaming leaves a mark

A beating community.  A sonic map.  Yours to explore.

SUONA is a new way to discover music and get discovered. A streaming platform fused with a living 8-bit pixel world rendered from real listening behavior, where your audience grows through genuine resonance, not algorithms or ad budgets. Every listen shapes the map. Artists and listeners share the same world, and the world remembers every engagement and relationship made inside it.

THE LANDSCAPE: WHERE MUSIC IS NOW

Today's most famous streaming platforms built infrastructure at scale and turned the artist into a content source. Stream rates requiring millions of plays for a living wage. Discovery gated behind promotion budgets. Audiences that belong to the platform and vanish when you leave. What they built well was infrastructure. What they left open is everything else.

The opening SUONA fills: a sonic world where discovery, community, economics, and lived experience are unified rather than distributed across separate tools.

WHAT SUONA IS

SUONA is three things simultaneously, unified by a single idea: communities form around the music that genuinely moves you.

♪

Layer 1, The Music App / Your Library, Your World

A fully equipped music companion, the streaming app you actually want. Browse by artist, album, genre, or mood. Build and organise playlists. Follow a discovery queue seeded live from your resonance history. Search the full catalogue. Queue tracks, skip freely, rate locally. Everything a great music app should do, with one addition: the music you hear here shapes a world you can walk through.

⬛

Layer 2, Sonic-Bit-Map / 8-Bit Sonic World

A navigable pixel-art world where every territory is an artist and every border is a collaboration. The map is not a visual metaphor — it is a spatially traversable space. Your avatar walks. Music from nearby territories bleeds in as you approach, volume rising as you cross each border radius. At the overlap between two territories the sounds blend. You navigate by ear, not by filter.

You leave traces where you listened deeply. You collect objects left by artists and other wanderers. You find limited releases visible only to listeners who physically arrived. The world's shape — who is near whom, which territories are expanding, where the frontier is — emerges entirely from how listeners and artists actually behave.

When a live set or DJ mix is playing from a hut, the territory pulses. Wanderers on the map hear it approaching before they arrive. The crowd clustering visibly around a glowing territory is the event. No separate events tab — it happens inside the world.

TERRAIN IS EARNED, NOT PURCHASED

Think of a Community Terrain the way you think of a Discord server , the terrain is the server, the huts are the channels , except the server exists inside a shared world that everyone inhabits together, and no one can buy their way to the centre of it.

The world map cannot be bought. Territory position is computed from the published resonance formula , ad spend, subscription tier, and follower count play no role. This is not a policy; it is an architectural property of the system. There is no database field for paid placement.

Terrain type	Who it's for	How it grows	Cost
Wanderer Patch	Every user, automatic on first login	CONVERGENCE events from genuine listeners	Free
Community Terrain	Genre scenes, collectives, local communities	Kairos visitor-events (+10 tiles per 100 events)	€1.99/month
Cultural / Indigenous	Ancestral music communities, linguistic minorities	Protected fixed radius; organic cross-cultural discovery only	Free , Concrescence Fund
Sovereign Community	Established scenes, label collectives, subcultures	Kairos events + Concrescence Fund grants	€9.99/month
Institutional	Schools, broadcasters, research labs	Defined in B2B agreement	B2B license

You can buy the aesthetic , a custom biome palette, a named NPC, a seasonal overlay. You cannot buy the land. A community that genuinely listens together, discovers together, and hosts events together will occupy more of the world than a well-funded brand that does not.

⌂

Layer 3, Host and Visit Music Huts / Community Architecture

Every artist's hut is a persistent space inside their territory that accumulates over time. Every new release adds a physical object to the room: a vinyl sleeve leans against the wall, a cassette appears on the shelf, a gig poster goes up above the door. Visitors play past releases by touching the objects. The hut is studio, gallery, and archive simultaneously. Every listener builds their own hut reflecting their sonic history — a place with visual memory, ambient audio, wanderers passing through, live events, and permanent traces.

The centrepiece of your hut is the Constellation Wall: a pixel map of every artist territory you've visited, drawn from your actual listening history. Artists you've Resonance Boosted glow brighter. Territories where you earned Scout designation have a permanent marker. Curated mixtape paths, collected items, traces left, events hosted — all of it visible.

The record that travels with your music: The Genesis Manifest is not a database entry a platform can delete. Every release, collaboration credit, stem attribution, and discovery event your music generates is written to an append-only ledger. If the platform forks, the record migrates. If the Lab dissolves, AGPLv3 guarantees any community can reconstitute the infrastructure from the public source. A field recording made in 2026 carries its full attribution chain in 2056 regardless of which platform is running.

The initial world is seeded from the Free Music Archive corpus (4,704 tracks, open licensed). Every track carries an analyzer_version field in the manifest recording which version of the audio analysis pipeline produced its organ profile. If the pipeline improves, the record of what was known and when is preserved alongside the music. The analytical history of a track is part of its archive.

A world with memory. One you return to.

The Hut Composer is a browser-based pixel tile editor built into SUONA. Every hut is a grid of tiles: floors, walls, furniture, lighting effects. A canonical 64-color SUONA Palette keeps all huts visually coherent with the world they inhabit while remaining individually distinct. Graphic artists on the platform design and sell tile packs, furniture sets, and architectural templates inside the Composer, earning 70% of every commission. Their name is written permanently into the genesis record of every hut their work appears in.

Huts cluster naturally into Districts. A genre scene, a city community, a label roster, a fan collective — when enough huts share a region of the Sonic-Bit-Map, a District coheres. Districts develop their own aesthetic identities: dominant color palettes, recurring tile styles, shared event spaces. They are not created by the platform. They emerge from behavior.

Three kinds of events live here. Live sets and DJ mixes: the artist broadcasts from their hut — proximity audio becomes the stream, listeners walk in from the map, the recording becomes a wall object when it ends. Listening parties: a release is pinned at a scheduled time; listeners who arrive early earn Scout designation, permanently retroactive. User-hosted events: any listener can host a curated session from their own hut, drawing from their Constellation Wall — the community becomes the programmer. Every event leaves a trace. Every trace is on permanent record.

Your hut is your taste made visible. It grows with every genuine discovery.

Every hut is backed by a portable manifest: a public record of its tile layout, pinned release objects, and listening history. The manifest is yours to export, self-host, or carry to any future context that reads the format. No platform lock-in. Your hut is a career asset you own outright — not a profile page that disappears when a platform pivots.

HOW IT WORKS: THE ARCHITECTURE OF TRUST

The Sonic Territory Map

The map position of every artist is computed by a published formula, open, auditable, ungameable:

territory_position = cluster(
  resonance_overlap(artist_A, artist_B),
  listener_path_co-occurrence(artist_A, artist_B),
  stem_attribution_connections(artist_A, artist_B)
)

Artists end up next to the artists their listeners also love. By collaboration history. By sonic proximity. Not by editorial decision or paid placement, by what the community actually does.

200 deeply engaged listeners = larger territory than 50,000 passive streams.

A Living Map, Reading the World at a Glance

Every territory's visual character is generated from the artist's four resonance signals:

• Depth (EO) → warm light, dense soft terrain
• Range (RNX) → strange biomes, alien terrain edges
• Connection (SANS) → dense lit border paths to collaborators
• Community (BOND) → visible wanderer crowds, lanterns, traces

Walking the map is navigating by taste without filters or tags.

When an emerging frontier artist crosses the CONVERGENCE threshold, strangers from genuinely different sonic histories landing Kairos satisfaction within the same week, a gold pulse radiates from their territory across the map. Scouts who found them before the threshold earn a permanent "discovered them first" marker.

Proximity audio: walking toward a territory, you hear it approaching. At borders where two territories overlap, the sounds blend, sometimes harmonic, sometimes a TENSION signal the system reads privately as mismatch. The feeling of sound changing as you walk is the core navigation mechanic.

How Genuine Engagement Is Measured

SUONA reads four behaviors before anything is counted — none purchasable, none gameable by promotion spend. Return visits: the listener came back to the hut across sessions and played a release object from the wall, not just the stream. Proximity navigation: they walked in from a different territory — no search query, no recommendation engine. Constellation Wall marking: the territory is now part of their world, on permanent record. Spore path: another listener arrived via their trace or referral. A complete signal — the Kairos point — requires the first three in a single arc: hut entered, release object played, Wall marked. Four events fire at threshold: CONVERGENCE when strangers from genuinely different sonic histories land in the same hut independently; RESONANCE when a listener's Wall has this territory marked and growing; EMERGENCE when first arrivals precede any convergence threshold — Scout designation permanent and retroactive; TENSION when visits are short with no engagement — private to the artist, no public penalty.

AGPLv3 as Trust Infrastructure

The code being open isn't a concession — it's the guarantee that makes every other relationship possible. Artists, graphic designers, and listeners can verify the platform can't be quietly closed or pivoted against them. The AGPLv3 means any fork must remain open; DPLE Lab holds it in trust, not as property. That removes the single biggest fear for anyone building their livelihood on a platform: that it changes the rules after they've invested in it. Trust this deep is expensive to buy through marketing; open source gives it structurally.

WHAT OPEN SOURCE ACTUALLY MEANS HERE

AGPLv3 means anyone can read, audit, and verify every claim this platform makes. The 70% artist floor is not a promise in a terms of service , it is an arithmetic operation visible in publicly auditable code. The Kairos signal that determines whether a listening moment counts as genuine cannot be secretly tuned by a marketing team. The organ weights that generate your territory's position cannot be purchased. Every rule the platform enforces is readable by any engineer with a browser.

This has specific consequences for institutions. A university running a research project on music discovery can verify that their students' listening data is processed exactly as described. A journalism school can audit the recommendation logic before assigning SUONA as a tool. A community radio station can confirm that the Felt Hours Pool distributions are computed from the public formula, not adjusted retroactively. Open source here is not a brand position , it is the mechanism that makes every other claim in this document checkable.

All source code: github.com/daedalea , AGPLv3

Old School RuneScape requires 75% player approval to change the game. SUONA's Assembly requires a 2/3 EOT supermajority to alter any constitutional guarantee. The precedent for player-governed worlds is not theoretical , it has been running since 2013.

THIS EXTENDS TO INDIVIDUAL TRACKS

Organ scores are not set once at upload. Every RESONATE event from a genuine listener drifts a track's effective organ scores upward (effective_score = base_score + drift; drift grows by 0.05 per RESONATE, capped at 0.3). A track that accumulates genuine resonance gradually shifts toward the part of the map where that resonance is concentrated. A heavily promoted track that receives no authentic engagement stays where it started. The map's drift is the community's endorsement, written as data. Auditable: scripts/src/music/fma_analyze.ts , Hebbian drift.

COMMUNITY AS SUPERJECTION

Every listening session ends. What remains , the Kairos trace, the NIE signal, the Constellation Wall mark , is the superjection: what a felt moment leaves behind after the experience fades. A community is the accumulated superjection of many listeners over time. SUONA's world is built from these traces. The terrain is not designed; it is precipitated by collective listening.

HOW SUBCULTURES EMERGE

No one creates the Jazz Quarter. It emerges when enough communities sit close enough with similar sonic character (more than 60% organ similarity within 200 tiles). The system names it automatically from the dominant organ pair , "The RNX Corridor", "The Deep EO Quarter" , and it becomes visible on the world map. No editorial decision. No committee. The map is the community's actual behaviour made visible.

Huts as the Onboarding Surface

Every new artist gets a free auto-generated hut on first release. It's not just a profile — it's a physical territory in the map that reflects real listening behavior. A new artist doesn't arrive to an empty page; they arrive to a place that already exists in the world and can be customized. The Sonic-Bit-Map becomes something worth exploring precisely because huts vary — graphic artists earn 70% from commissions, template packs, and hut element sales, with permanent attribution in genesis manifests. The visual diversity of the world is crowd-built, not platform-built.

The Spore Network: Word-of-Mouth Made Structural

Referrals earn Resonance Credits (€5 platform credit per paid conversion) — cheaper than the €8–15 industry average CAC. More importantly, the network rewards quality over quantity: it's attribution-based, not pyramid-based. Early users who bring in artists or listeners leave a traceable mark in the world's genesis record. Onboarding isn't a funnel; it's an act that persists in the map.

Free Listeners Fund Artist Income Without Extracting from Either

The Maxima — "no entity earns by extracting from another" — is operationalized through the F2P architecture: free listeners generate listening events that feed the NIE signal layer, improving map quality, which drives Discovery Mode engagement, which drives advertising revenue, which feeds the Resonance Dividend Pool, which pays artists. The open-source kernel makes this chain auditable. Anyone can verify the math isn't rigged. That auditability is what makes the model believable to artists who've been burned before.

The Ensemble

DPLE Lab is the concert hall — it doesn't own the music. Artists are musicians. Graphic artists are stage designers. The Spore Network are scouts. Daedalea builds the instrument. The hall runs on an endowment (Concrescence Fund), not ticket extraction. Open source is what keeps the hall from becoming a landlord. Huts are what make the hall worth entering.

SUONA's 70% artist floor is written into the founding charter, permanent by design. It requires a two-thirds community vote to alter, enforced through the non-profit entity structure, the open-source codebase, and the fork-protection reserve in the Concrescence Fund. The community retains fork rights at all times, if governance ever fails, the reserve funds a community rebuild.

From Listening to Governance

Eternal Object Tokens (EOTs), governance tokens earned after sustained genuine contribution. Soulbound: non-transferable, non-purchasable. Named for Whitehead's concept of patterns that persist across occasions of experience, earned by being present and real in the world, not by purchase.

The Artist Flywheel

Entity Architecture

COMMUNITY , THE LOAD-BEARING STRUCTURE

SUONA is an MMO. That carries consequences no music platform has named. Every persistent online world that has lasted , OSRS, Minecraft servers, Discord communities , solved the same underlying problem: the community that makes the world valuable is the same community that can break it. Governance doesn't prevent conflict. It determines how fast conflict resolves and whether it leaves the world intact or hollow.

SUONA's governance operates in three layers. The first cannot be gamed. The second is community-administered. The third cannot be touched without a supermajority.

THE HUMAN AGENCY PROBLEM

OSRS's most persistent governance challenge was botting , automated accounts farming resources, skewing economies, devaluing thousands of hours of genuine player effort. Minecraft faction servers collapsed when enforcement depended on admin discretion rather than system design: administrators burned out, exploiters adapted faster, and communities that couldn't govern themselves didn't survive. The lesson from both: rules written in policy are slower than humans finding the edges of them. Rules written in the engine aren't.

SUONA designs for this explicitly. The question is not "how do we prevent abuse" but "which layer catches each risk, how fast, and what does recovery look like."

THE ETHICS COMMITTEE

Disputes that don't resolve at the terrain level escalate to the Ethics Committee , a small standing body of elected Assembly members with a deliberately narrow mandate: cultural harm, systematic abuse, and constitutional compliance. It cannot override Assembly votes. It issues public findings, recommends remediation timelines, and in cases of constitutional violation, triggers a mandatory Assembly review.

At Phase 1 scale the Committee operates like a senior moderation team , responsive, case-by-case, relationship-based. At Phase 3 scale (100K+ users, 1,000+ terrain zones) it operates as a court: standardised procedures, public precedent records, automated pre-screening before human review. The constitutional basis doesn't change. What scales is the procedure.

THE FORK AS SAFETY VALVE

OSRS exists because a community forced a fork from RuneScape 3 , adversarial, two years of pressure, against the platform's initial intent. SUONA's fork mechanism is constitutional: the fork-protection reserve is permanently funded, the Genesis Manifest migrates with the community, and the AGPLv3 engine belongs to no single entity.

The threshold is deliberately high: a 2/3 Assembly vote, a funded reserve, a full Genesis Manifest migration. A community that reaches this threshold has exhausted every layer above it. The fork is not the first tool. It is what makes every other tool credible. An Assembly that knows the community has a real exit route makes better governance decisions than one that knows the community is trapped.

The community is not a feature. It is the terrain, the income engine, the governance substrate, and the primary failure mode. SUONA is designed around all four simultaneously.

PHASE ROADMAP

SCALE , FROM ONE USER TO ONE WORLD

Every part of SUONA is an instance of the same pattern at a different scale. A single user's listening session generates a Kairos moment (T7 Satisfaction). That moment writes to a community's Territory epoch (T8 Epoch Layer). That epoch shapes a terrain zone's organ profile. That organ profile contributes to a District's emergent identity. That District becomes legible as a cultural region on the world map. The same transductive process , prehension, resonance, emission, satisfaction , runs at every level.

ENTITY (single user)
  ↓  listening generates Kairos moments
  ↓  Kairos moments generate NIE signals
COMMUNITY (terrain zone)
  ↓  NIE signals shape territory organ profile
  ↓  organ profiles determine terrain aesthetics and map position
DISTRICT (emergent region)
  ↓  3+ terrain zones with >60% organ similarity → automatic District designation
  ↓  Districts host Assembly-registered events, Season Events
WORLD INSTANCE
  ↓  single infinite plane, one world, one community
  ↓  regional SpacetimeDB nodes share the same PostgreSQL control plane
EPOCH
  ↓  every 60 seconds: T0 to T8 pipeline processes all active territories
  ↓  world state updates, Genesis Manifest records the moment permanently

Infrastructure phases and concurrent user capacity

Infrastructure cost as a fraction of revenue shrinks at every order of magnitude. At Phase 3 with 2% paid conversion at €5/month, revenue is 2 to 9 times infrastructure cost before B2B, grants, or Studio tithe income is counted.

World instances: last resort, not default

SUONA's thesis is one world , the map is only meaningful because everyone shares it. A genre scene in Oaxaca and a techno collective in Berlin occupy the same infinite plane, and their proximity or distance on that plane is determined by their actual sonic relationship. Splitting into separate world instances would destroy this.

World instances are available as a last resort when a subculture grows large enough that it genuinely requires its own governance. The threshold is not a user count , it is a constitutional act: a 2/3 Assembly supermajority vote, a funded fork-protection reserve, and a full Genesis Manifest migration. The forked world inherits the full open-source engine (AGPLv3) and its own copy of the record. The original world continues unchanged.

The map is only valuable because it is shared. We protect the single world as long as it can hold the community. When a community becomes a world unto itself, the infrastructure is ready.

World types , the same engine at every depth

The current SUONA engine is not a single game , it is a world engine. The TSK Runtime (T0 to T8), the NIE pipeline, the terrain architecture, and the Kairos gating work at any depth of engagement. Every mode runs on the same map. Every mode generates the same signals. What changes is what the player can do.

OSRS proved that one world with multiple engagement depths outlasts platforms that try to be everything at once. Minecraft proved that giving players authorship of the world creates endurance no designed content can match. SUONA inherits both: one shared map (OSRS) + player-authored terrain (Minecraft) + music as the physics of the world (neither). The world types are the different depths at which you can participate in making it.

SUONA IS FOR

🎸

The Artist Ready to Be Found

Upload. Territory appears in the frontier. Your 70% is constitutional law. Your music record travels with you wherever you go.

🎧

The Listener Who Wants to Be Satisfied

One great discovery. A complete session. The feeling of having actually heard something. That is the platform's definition of success.

🧭

The Scout Who Builds Cultural Memory

You found them first. SUONA records it permanently, retroactively. When they reach CONVERGENCE, your discovery points are already waiting.

🏡

The Community Builder Who Wants One World

Your listeners, collaborators, wanderers, in a world together. Hut. Territory. Traces. Chat that exists inside the music.

🤖

The Brand That Wants Genuine Presence

One 8-bit NPC encounter, the whole world, opt-in. 50% of your placement fee flows directly to artists whose territories you were near.

⬛

REVENUE & GOVERNANCE ARCHITECTURE

Daedalea operates the platform commercially as a mission-locked Mexican SAPI from day one — this is the right structure, not a compromise. DPLE Lab A.C. incorporates at Incorporation Kairos: triggered by a tangible community project that genuinely requires a non-profit legal vehicle (e.g. Xochi — Xochimilco regeneration through gaming and territorial listening), or by an Assembly petition with ≥ 500 EOT holders voting 2/3 in favour. Not by a MRR threshold. Not by a board meeting. By a real community need. Constitutional protections are architecturally enforced from Day 1 (AGPLv3 + Stripe Connect + articles of incorporation + Community Charter) — the Foundation adds governance infrastructure, not trust.

Daedalea is SpacetimeDB, not Mozilla. The Foundation is not a milestone. It is a consequence. DPLE Lab A.C. incorporates when a real community project needs it — when Xochi needs a CONACYT grant, when a chinamperos community needs an institutional partner, when 500 EOT holders say it is time. Not before. For-profit excellence first. Constitutional promises architecturally enforced. Capital accumulating for when it matters.

HOW REVENUE FLOWS

Every revenue event in SUONA has a defined split. The 70% artist floor is enforced architecturally through Stripe Connect direct payouts — not routed through the platform. No entity earns by extracting from another.

Source:        DPLE Lab operating surplus above infrastructure costs
Trigger:       Kairos-confirmed listening only (passive background play = €0)
Distribution:  Monthly, proportional to genuine engagement depth
Integrity:     4-gate NIE cascade (71.5% accuracy) — promotion cannot buy this signal

Artist releases a stem (loop, sample, layer)
  └→  Another artist builds a track with it: 5–20% of that track's earnings → stem creator
        └→  That track gets remixed: credit trail continues downstream, forever
              └→  Attribution recorded in Genesis Manifest — permanent, portable, automatic

The Concrescence Fund: How the Fund Is Disbursed

The Fund % from every direct transaction (10% in Phase 0–2 → 20% from Phase 2+) accumulates into the community commons, governed by the Assembly — not by DPLE Lab, not by Daedalea Studio. The disbursement proportions below are the reference split set in the Reglamento Interno; exact figures are adjustable by Assembly 70% vote.

TRAJECTORY , NUMBERS, PHASES, AND THE PATH TO PROFITABILITY

Daedalea operates the platform commercially as a mission-locked SAPI from Day 1. Revenue scales across 26 streams , subscriptions, marketplace, brand layer, B2B Institutional, managed services, and ecosystem multi-deployment , while the constitutional commitments remain architecturally enforced. The Phase 4 range below reflects the full revenue surface, not just core memberships. All numbers are range estimates; specific point projections live in the internal economics doc.

REVENUE TRAJECTORY , RANGE ESTIMATES

Three operating assumptions span each range: Conservative (1.0% paid conversion, slow B2B uptake, ecosystem deferred to Phase 4), Base (2.0% conversion, normal B2B ramp, ecosystem active from Phase 2), Optimistic (2.8% conversion, aggressive B2B, multi-vertical traction at Phase 1 late). All MRR figures are SUONA-only Daedalea revenue unless noted as ecosystem.

Phase 1 inflection: first artist upload activates 70/20/10 direct-payment routing (Phase 0–2 split). Phase 2 inflection: Foundation Preparation Kairos — Concrescence capital building (target ≥€50K), Foundation lawyer retained, board candidates identified. DPLE Lab A.C. incorporates later at Incorporation Kairos (Phase 3–4): triggered by a tangible community project requiring A.C. (e.g. Xochi) or an Assembly petition ≥ 500 EOTs. Phase 4 reflects full revenue surface across all 26 catalogued streams.

PHASE 4 MATURITY , FULL ECOSYSTEM RANGE

The Phase 4 range (€710K , €2.5M MRR) sums across stream categories. This is the platform thesis — not a music product, but a TSK Runtime platform with multi-deployment commercial reach.

Plus routed-through volumes (~€2M , €6M monthly at Phase 4): direct artist transactions, live event ticketing, stem credit trails, brand NPC encounter routing. Daedalea retains 0% on these flows by constitutional commitment; volume builds the Concrescence Fund and Lab operations directly.

MEMBERSHIP DISTRIBUTION AT 1M USERS

2% paid conversion at 1M registered users distributes across five tiers. The free Wanderer tier is constitutionally protected and generates the discovery signals every other tier depends on , gating it would break the model and the constitution simultaneously.

THE MANAGED-SERVICE PATTERN , AGPLv3 + SaaS, SPACETIMEDB-STYLE

The Phase 4 managed-service layer (€100K , €460K MRR) is the SpacetimeDB-pattern monetisation strategy applied to the TSK Runtime. The codebase stays AGPLv3 , permanently free and forkable. Daedalea earns from operating a managed cloud service with SLA, support, monitoring, and integration on top of that free core. SpacetimeDB raised $26M VC against this exact thesis. MongoDB, Cockroach Labs, Confluent, and GitLab earn similarly.

Mission-aligned communities (Indigenous food traditions, indie label co-ops, ethnomusicology departments, peer-reviewed researchers) self-host any AGPLv3 capability for free, forever. Commercial operators who want operational excellence pay Daedalea for it. The constitutional architecture is preserved; the revenue model scales.

DPLE LAB INCORPORATION , TWO-STAGE KAIROS

DPLE Lab A.C. does not exist on Day 1 and does not incorporate on a fixed MRR target. Formation follows two stages. Stage 1 — Foundation Preparation (readiness Phase 1–2): build the capital and infrastructure. Stage 2 — Incorporation Kairos (Phase 3–4): triggered by a real community need, not a metric. Until then, all constitutional protections are enforced architecturally; 30% of direct transactions (Phase 0–2: 20% Lab + 10% Fund; Phase 2+: 10% Lab + 20% Fund) accumulate in Daedalea-held escrow as Foundation launch capital, with quarterly transparency reports.

Stage 1 — Foundation Preparation (all required):

• MRR ≥ €15K/mo sustained 6 months · ≥ 300 EOT holders · Concrescence escrow ≥ €50K
• Foundation lawyer retained · board candidates identified (no Daedalea equity, no operational role)
• Second deployment (VEGAFY or Xochi) in active development · Community Charter signed and published

Stage 2 — Incorporation Kairos (triggered by one of):

• Option A — Tangible community project: A real non-profit use case that requires A.C. as legal vehicle. Primary example: Xochi — Xochimilco regeneration through gaming and territorial listening. CONACYT/FONCA/UNESCO grants, UNAM institutional partnership, Cultural Terrain stewardship, chinamperos community revenue routing — none achievable as for-profit.
• Option B — Assembly petition: ≥ 500 EOT holders vote 2/3 majority to incorporate + ≥ 3 board members with genuine community standing + Concrescence Fund ≥ €100K + legal paperwork executed.

Daedalea earns commercially through 26 streams while every constitutional promise stays architecturally enforced. The TSK Runtime stays AGPLv3 — permanently free and forkable. The DPLE Lab incorporates when a real community project needs a non-profit legal vehicle, or when the Assembly petitions for it with a genuine supermajority. The trajectory is investable not because the numbers are large, but because every layer of revenue is mission-compatible by design.

BRANDS AS CHARACTERS, NOT BANNERS

Commercial content is permitted in exactly one place. It must speak one visual language. The result is commercial presence that serves the world rather than interrupting it — and that structurally funds artist discovery.

SUONA's audience actively chose to be inside a pixel MMO discovering music — among the most intentionally engaged music audiences online. One NPC encounter, the whole world, opt-in. 50% of every encounter fee flows directly to the Resonance Dividend Pool, distributed to artists whose territories the wanderer was near. The brand's presence funds discovery.

THE LINKING EXCEPTION & CONSTITUTIONAL GUARANTEES

The Linking Exception: Your Creative Work Stays Yours

The TSK Runtime resonance engine is AGPLv3. Without an explicit exception, any commercial product built on top of it would have to publish its entire codebase — making proprietary artist tools, brand experiences, and third-party Canal 2 applications legally impossible. The Linking Exception (AGPLv3 §7, granted via DPLE Commercial License) solves this.

Available to any holder of a DPLE Commercial License. Phase 0 exemption: studios and brands earning less than €15,000/year outside the DPLE marketplace pay zero sustainability contribution during Phase 0 — no economic barrier for artists and small studios starting out. The Commercial License also activates collective trademark protection for the licensee's own brand within the ecosystem.

Constitutional Guarantees: What Cannot Be Changed Without a Community Vote

These protections exist so that no investor, acquirer, or majority shareholder can strip the platform's promises. A two-thirds Assembly supermajority (EOT holders) is required to alter any of them. The fork-protection reserve in the Concrescence Fund means the community can always rebuild even if the vote fails.

CONTACT & NEXT STEPS

GLOSSARY